I built this one around a single idea. Strip everything back until only the signal is left.

The track sits at 138 BPM in G major. Detuned supersaw lead, filter sweeps, dotted delay, and a long breakdown that runs a few bars past comfortable before the drop comes back in. Old school trance bones with modern headroom.

There are only two vocal lines in the whole thing. Everything else is instrumental by design. Having said that, the restraint is the point. When the vocal finally lands, it has somewhere to land.

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